Saturday, January 12, 2013


Petrus Romanus, PROJECT LUCIFER, and the Vatican's astonishing exo-theological plan for the arrival of an alien savior.

You only think you know what's coming...

L.U.C.I.F.E.R., which stands for “Large Binocular Telescope Near-infrared Utility with Camera and Integral Field Unit for Extragalactic Research,” is a chilled instrument attached to a telescope in Arizona. And yes, it’s named for the Devil, whose name itself means “morning star” [and which] happens to be right next to the Vatican Observatory on Mt. Graham in Tucson.”— Rebecca Boyle, Popular Science Magazine

Following the release of our 2012 best-seller Petrus Romanus: The Final Pope Is Here, we were inundated with invitations from around the world to be interviewed on radio, television, and in print media. These included segments in The History Channel’s “Countdown to Apocalypse,” which premiered November 9, 2012; a special feature on Canada’s largest Christian channel VisionTV titled “I Prophesy: The Apocalypse Series” (complete with re-enactments) that aired nationwide on Tuesday, November 20, 2012; invitations to Rome to discuss with Italian media our findings on René Thibaut, a Belgian Jesuit whose meticulous analysis of the Prophecy of the Popes predicted the arrival of Petrus Romanus in this era; a “best of” interview with George Noory on Coast to Coast AM, and dozens more.

But it was two shows in particular, which we did on The Omega Man Radio Program with popular author and radio man Steve Quayle that prompted our visit to Mt. Graham in southeastern Arizona to start our investigation. The first show with Steve rocketed Omega Man to the #1 Blog Talk Radio Show in the world for over a week. It focused on the ancient Prophecy of the Popes and the fact that the pontiff following Benedict XVI will be the final one on this mysterious list of popes, a prophecy that was concealed inside the secret vaults of the Vatican for hundreds of years and which many believe points to the arrival of the False Prophet of end-times infamy. (Note that at the start of this investigation, Benedict XVI remains pope and whoever is scheduled to follow him in the role of Petrus Romanus is still an open question, but whoever it turns out to be, they are the final pope according to the medieval catholic prophecy).

In the second Omega Man show, which aired Wednesday, April 4, 2012, we broached the subject of a “Vatican ET” connection. That program sent Omega Man into the stratosphere for an unprecedented one-month position as the top BT radio show on the planet, illustrating to these authors that the world is more than casually interested not only in the final pope, but in the connection between Rome and their work on extraterrestrial intelligence, astrobiology, and the intriguing connection between those issues and Petrus Romanus.

Thus on a mild morning in September, 2012, we together with our cameraman—Joe Ardis, a.k.a. the Wild Man of the Ozarks—departed the small desert town of Safford, Arizona (which normally has a warm high desert climate, much hotter than most places in eastern Arizona due to its relatively low elevation of 2,953 feet) [i] en route to the Mt. Graham Observatory Base Camp, 80 miles from Tucson and a few miles south of Safford on State Route 366. Located near the northern limit of the Chiricahua Apache and Western Apache territories, Dził Nchaa Si An, as it is known in the Western Apache language, is one of the four holiest mountains in America for the Apache, and considered sacred to the all of the region’s Native peoples. (The San Carlos Apache Tribe had originally joined environmentalists who sought, among other things, to protect the Sacred Grounds and American Red Squirrel, in filing dozens of lawsuits before a federal appeals court to stop the construction of the observatories on Mt Graham, but the project ultimately prevailed after an act by the United States Congress allowed it).

We had been warned by our guide that the trek up the steep mountainside from 2,953 feet to over 10,700 was precarious, coupled with more hairpin turns, switchbacks and narrow segments of roadway overlooking deep canyon walls than we might have imagined, and, to top it off, there would be no guardrails along the harrowing winding path. We were scheduled to arrive at the Mount Graham International Observatory a couple hours after departure. We would meet with astronomers and engineers at the Large Binocular Telescope—currently one of the world’s most advanced optical telescopes—where, among other things, the new LUCIFER device is attached between its gigantic twin mirrors (either of which would be the largest optical telescope in continental North America). We were later told by the LBT systems engineer who spent significant time with us that day that another instrument—LUCIFER-II—is scheduled to arrive at the observatory anytime now and will complete the two multi-object and longslit infrared spectrograph imagers they need for studying the heavens in search of, among other things, exo-planets that may host intelligent life. We would also visit the Heinrich Hertz Submillimeter Telescope that day, which sets between the LBT and the real target of our quest—the Vatican Advanced Technology Telescope and the Jesuits who work there.

Before leaving base camp, Dramamine for motion sickness was suggested ahead of departure, and the two men in our team that declined that offer would soon wished they hadn’t, as once we were underway, it was non-stop reeling back and forth, bouncing up and down as the driver—who seemed a little too much to enjoy being in one gear faster than he should have been given the circumstances—occasionally looked at us in the rearview mirror and smiled. As we went from Sonoran Desert scrub at the mountain’s floor to alpine spruce-fir forest closer to the summit, our guide who set in the opposite front seat from the driver occasionally pointed to something off to one side, describing how more life zones and vegetative varieties existed here than on any other North American mountain, including almost two dozen plants, animals and insects that are not found anywhere else. Of course this included the celebrity of Mount Graham—the endangered Red Squirrel—which Arizona has already spent at least 1.25 million dollars protecting. But it was hard to appreciate these facts while growing queasy and wondering how far down the canyon wall we would roll if at any moment the driver lost control and barreled off the side. Thankfully, just when we were starting to think this had been a bad idea, we stopped approximately two-thirds way up the mountain at the Columbine Ranger Station, a USDA Forest Service Administrative Complex that had been built Circa 1935 by the Civilian Conservation Corps, a public work relief program that was part of President Franklin D. Roosevelt’s “New Deal” and that had provided unskilled manual labor jobs for people to relieve unemployment during the Great Depression.

We had packed a sack lunch and used the Ranger Station as a place to rest a while, eat, and let our bellies recover a bit from the roller-coaster ride. While munching on a sandwich and looking at the aging black and white pictures that hung on the walls here and there of the Depression-Era men who had built the modest encampment, we met a volunteer, an interesting old chap who told us how he had been coming there for many years to keep a fire in the fireplace and to greet hikers that wandered into the park. When we told him where we were going, he got quiet. When we added that our plan was to speak with the Jesuits at VATT in the restricted area further up the mountain, he lost interest in the conversation and started stirring his fire again.

Minutes later, lunch consumed and stomachs still uneasy, we were back in our vehicle. From this point forward, the road, if we can call it that, became little more than a glorified goat trail until finally, about a mile from our destination, we arrived at a security gate with warnings of “No Trespassing” in several languages. The guide had a key to the gate. She unlocked then relocked it behind us after we drove through the opening. At that point, the driver pulled a radio out, which we had not noticed before, and radioed somebody that we were heading up the incline. Evidently this was necessary because from this point forward the steep gravel lane was barely wide enough for one vehicle at a time, and you didn’t want to risk running up against another vehicle that might be coming down from the Observatories. No one answered the call, so he radioed again, then a third time, with still no response. The silence must have meant the road was clear, as just like that he slipped the vehicle into low gear and we began our final 30-minute crawl up the mountainside.

“And one more thing,” the guide warned as we jerked over the rocky track, tires spinning against the loose gravel and dirt. “When we get to the restricted area you’ll see brightly colored cables roping off most of the land around the buildings. Do not… I repeat, do not step over those lines or you will be arrested immediately and hauled off to jail.” She wasn’t smiling, and when we got to the observatories, we saw the security lines and enforcement vehicles, just as she had described them.


It was approximately 11: AM (PST) as we rounded the final bend and saw just ahead the towering edifices housing the Large Binocular Telescope (LBT), an optical telescope for astronomy and currently one of the world’s most advanced systems. Near it was the Submillimeter Telescope (SMT) or as it is also known, the Heinrich Hertz Submillimeter Telescope building, a “state-of-the-art single-dish radio telescope for observations in the sub-millimeter wavelength range… the most accurate radio telescope ever built.” [ii] And last but not least about a block away from them we observed our primary reason for trudging to the top of this peak—the Vatican Advanced Technology Telescope or VATT.

Of course we had read the official story from the Vatican Observatory Website before making the trip, how VATT truly lives up to its name:

“Its heart is a 1.8-m f/1.0 honeycombed construction, borosilicate primary mirror. This was manufactured at the University of Arizona Mirror Laboratory, and it pioneered both the spin-casting techniques and the stressed-lap polishing techniques of that Laboratory which are being used for telescope mirrors up to 8.4-m in diameter. The primary mirror is so deeply-dished that the focus of the telescope is only as far above the mirror as the mirror is wide, thus allowing a structure that is about three times as compact as the previous generation of telescope designs.” [iii]

Such technical language aside, the “Observers” who are approved to operate VATT and what they are using it for these days is what would take us through the looking glass. This was confirmed minutes later by the Jesuit Father on duty that day (whom we got on film) who told us that among the most important research occurring with the site’s Vatican astronomers is the quest to pinpoint certain extrasolar planets and advanced alien intelligence. He then proceeded (as did our guide) to show us all around the observatory—from the personal quarters of the Church’s astronomers—where they ate, slept, relaxed, studied—to the control rooms, computer screens and systems, and even the telescope itself. While we were given complete and unrestricted opportunity to question how the devices are used and what distinctives set each of the telescopes on Mt. Graham apart, we had not expected the ease with which the astronomers and technicians would also speak of UFOs! This was especially true when we walked up the gravel road from VATT to the Large Binocular Telescope (LBT), where we spent most of the day with a systems engineer who not only took us to all seven levels of that mighty machine—pointing out the LUCIFER device and what it is used for (which he lovingly referred to as “Lucy” several times and elsewhere as “Lucifer”) as well as every other aspect of the telescope we tried to wrap our minds around—but who also stunned us as we sat in the control room, listening to him and the astronomers speak so casually of the redundancy with which UFOs are captured on screens darting through the heavens. Our friendly engineer didn’t blink an eye, nor did any of the other scientists in the room, and we were shocked at this, how ordinary it seemed to be.

But as much as the commonality of UFO sightings on Mt. Graham’s telescopes intrigued, this was not the primary reason for our being there. We had come with deeper questions concerning high-level Vatican astronomers and what they had been leaking to, and discussing with, media in recent years. Captivating comments from Jesuit priests like Guy Consolmagno—a leading astronomer who often turns up in media as a spokesman for the Vatican who has worked at NASA and taught at Harvard and MIT and who currently splits his time between the Vatican Observatory and laboratory (Specola Vaticana) headquartered at the summer residence of the Pope in Castel Gandolfo, Italy, and Mt. Graham in Arizona. Over the last few years, he has focused so much of his time and effort in an attempt to reconcile science and religion in public forums specifically as it relates to the subject of extraterrestrial life and its potential impact on the future of faith that we decided to contact him. He agreed to be interviewed from Rome, and over the numerous exchanges that followed he told us some things that seemed beyond the scope. He even sent us a copy of a private pdf, a literal goldmine of what he and the Vatican are considering regarding the ramifications of astrobiology and specifically the discovery of advanced extraterrestrials... in which he admits how contemporary societies will soon “look to The Aliens to be the Saviours of humankind.”

Coming up next: What the Vatican and it's theologians are preparing for...

Thursday, April 5, 2012

PETRUS ROMANUS: The False Prophet And The Antichrist Are Here (Blog Post 8)

Magic Squares, 666, and Human Sacrifice?
While finding the body of Osiris and resurrecting it—either figuratively or literally—is central to the prophetic beliefs of Freemasonry, until Apollo/Osiris return, formal procedures will continue in secret for installing within America’s national leader the divine right of Kingship through the raising of Osiris ceremony.

But it is very important to note how, when this ritual is carried out in the Temple Room of the Heredom, it unfolds below a vast thirty-six-paneled skylight that forms a stylized Magic 666 Square. Around the four sides of the skylight can be seen the Winged Sun-Disc. This positioning above the altar is in keeping with historical occultism. Egyptian magicians employed the same symbolism above the altar for invoking the sun deity. In the St. Martin's Press book Practical Egyptian Magic it is noted: “Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the altar in an easterly direction and used when invoking the protection and co-operation of the sylphs.” [i] The Renaissance occultist Paracelsus describes these sylphs as invisible beings of the air, entities that the New Testament book of Ephesians (2:2) describes as working beneath “the prince [Lucifer/Satan] of the power of the air, the spirit that now worketh in the children of disobedience.” In applied magic, the “magic square of the sun” itself was associated in antiquity with binding or loosing the sun god Apollo/Osiris and was the most famous of all magical utilities because the sum of any row, column, or diagonal is equal to the number 111, while the total of all the numbers in the square from 1 to 36 equals 666. In the magical Hebrew Kabbalah, each planet is associated with a number, intelligence, and spirit. The intelligence of the Sun is Nakiel, which equals 111, while the spirit of the Sun is Sorath and equals 666. It makes sense therefore that Freemasons built the Washington Monument Obelisk to form a magic square at its base and to stand 555 feet above earth, so that when a line is drawn 111 feet directly below it toward the underworld of Osiris, it equals the total of 666 (555+111=666)—the exact values of the binding square of the Sun God Apollo/Osiris installed in the ceiling above where the Osiris raising ceremony is conducted in the House of the Temple.

Magic Squares

 36-Paneled Magic Skylight above the Altar in the
House of the Temple where the raising of Osiris is conducted.

Freemason and occultist Aleister Crowley practiced such Kabbalah and likewise connected the number 111 with the number 6, which he described as the greatest number of the Sun or sun god. He employed the magic square in rituals to make contact with a spirit described in The Book of the Sacred Magic of Abramelin the Mage, a work from the 1600s or 1700s that involves evocation of demons. In Book Four of the magic text, a set of magical word-square talismans provides for the magician’s Holy Guardian Angel who appears and reveals occult secrets for calling forth and gaining control over the twelve underworld authorities including Lucifer, Satan, Leviathan, and Belial. In addition to Crowley, the most influential founding father and Freemason, Benjamin Franklin, not only used such magic squares, but according to his own biography and numerous other authoritative sources even created magic squares and circles for use by himself and his brethren. Yet the gentle appearance and keen astuteness of America’s most famous bespeckled Freemason might have hidden an even darker history than the story told by those magic squares, which his strong, deft hands once held. Award-winning filmmaker Christian J. Pinto explains:

One of the most influential founding fathers, and the only one of them to have signed all of the original founding documents (the Declaration of Independence, the Treaty of Paris, and the U.S. Constitution) was Benjamin Franklin. Franklin was…without question, deeply involved in Freemasonry and in other secret societies. He belonged to secret groups in the three countries involved in the War of Independence: America, France, and England. He was master of the Masonic Lodge of Philadelphia; while over in France, he was master of the Nine Sisters Lodge, from which sprang the French Revolution. In England, he joined a rakish political group founded by Sir Francis Dashwood (member of Parliament, advisor to King George III) called the “Monks of Medmenham Abbey,” otherwise known as the “Hellfire Club.” This eighteenth-century group is described as follows.

The Hellfire Club was an exclusive, English club that met sporadically during the mid-eighteenth century. Its purpose, at best, was to mock traditional religion and conduct orgies. At worst, it involved the indulgence of satanic rites and sacrifices. The club to which Franklin belonged was established by Francis Dashwood, a member of Parliament and friend of Franklin. The club, which consisted of “The Superior Order” of twelve members, allegedly took part in basic forms of satanic worship. In addition to taking part in the occult, orgies and parties with prostitutes were also said to be the norm.

 Pinto continues this connection between Benjamin Franklin and dark occultism:

On February 11, 1998, the Sunday Times reported that ten bodies were dug up from beneath Benjamin Franklin’s home at 36 Craven Street in London. The bodies were of four adults and six children. They were discovered during a costly renovation of Franklin’s former home. The Times reported: “Initial estimates are that the bones are about two hundred years old and were buried at the time Franklin was living in the house, which was his home from 1757 to 1762 and from 1764 to 1775. Most of the bones show signs of having been dissected, sawn or cut. One skull has been drilled with several holes.”

The original Times article reported that the bones were“deeply buried, probably to hide them because grave robbing was illegal.” They said, “There could be more buried, and there probably are.” But the story doesn’t end there. Later reports from the Benjamin Franklin House reveal that not only were human remains found, but animal remains were discovered as well. This is where things get very interesting. From the published photographs, some of the bones appear to be blackened or charred, as if by fire… It is well documented that Satanists perform ritual killings of both humans and animals alike.[ii]

While many students of history are aware of the magic 666 square and its use by occultists down through time to control the spirit of Apollo/Osiris, what some will not know is how this magical binding and loosing of supernatural entities also extends to the testes of Washington’s 6,666 inch-high phallic Obelisk, dedicated by Freemasons seventy-two years following 1776 (note the magic number 72), where a Bible (that Dan Brown identified as the “Lost Symbol” in his latest book) is encased within the cornerstone of its 666-inch-square base. One wonders what type of Bible this is. If a Masonic version, it is covered with occult symbols of the Brotherhood and Rosicrucianism and the purpose for having it so encased might be to energize the Mason’s interpretation of Scripture in bringing forth the seed of Osiris/Apollo from the testes/cornerstone. If it is a non-Masonic Bible, the purpose may be to “bind” its influence inside the 666 square and thus allow the seed of Osiris/Apollo to prevail. The dedication of the cornerstone during the astrological alignment with Virgo/Isis as the sun was passing over Sirius indicates a high degree of magic was indeed intended by those in charge.

The First American Osiris
Through Masonic alchemistry, presidential apotheosis—that is, the leader of the United States (America’s Pharaoh) being transformed into a god within the Capitol Dome/womb of Isis in sight of the Obelisk of Osiris (the Washington Monument to those whom Masons call “profane,” the uninitiated)—actually began with America’s first and most revered president, Master Freemason George Washington. In fact, Masons in attendance at Washington’s funeral in 1799 cast sprigs of acacia “to symbolize both Osiris’ resurrection and Washington’s imminent resurrection in the realm where Osiris presides.”[iii] According to this Masonic enchantment, Osiris (Horus) was rising within a new president in DC as Washington took his role as Osiris of the underworld. This is further simulated and symbolized by the three-story design of the Capitol building. Freemasons point out how the Great Pyramid of Giza was made up of three main chambers to facilitate Pharaoh’s transference to Osiris, just as the temple of Solomon was a three-sectioned tabernacle made up of the ground floor, middle chamber, and Holy of Holies. The U.S. Capitol building was thus designed with three stories—Washington’s Tomb, the Crypt, and the Rotunda—capped by a Dome. Each floor has significant esoteric meaning regarding apotheosis, and the tomb of Washington is empty. The official narrative is that a legal issue kept the government from placing Washington’s body there. However, just as the tomb of Jesus Christ was emptied before His ascension, Washington is not in his tomb because he has travelled to the home of Osiris, as depicted high overhead in the womb/Dome of Isis.

When visitors to Washington DC tour the Capitol, one of the unquestionable highlights is to visit the womb of Isis—the Capitol Dome—where, when peering upward from inside Isis’ continuously pregnant belly, tourists can see hidden in plain sight Brumidi’s 4,664-square-foot fresco, The Apotheosis of George Washington. The word “apotheosis” means to “deify” or to “become a god,” and explains part of the reason U.S. presidents, military commanders, and members of Congress lay in state in the Capitol Dome. The womb of Isis is where they go at death to magically reach apotheosis and transform into gods.

Those who believe the United States was founded on Christianity and visit the Capitol for the first time will be surprised by the stark contrast to historic Christian artwork of the ascension of Jesus Christ compared to the “heaven” George Washington rises into from within the energized Capitol Dome/womb of Isis. It is not occupied by angels, but with devils and pagan deities important to Masonic belief. These include Hermes, Neptune, Venus (Isis), Ceres, Minerva, and Vulcan (Satan), of course, the son of Jupiter and Juno to which human sacrifices are made and about whom Manly Hall said brings “the seething energies of Lucifer” into the Mason’s hands.[iv]

Beside those pagan gods which accompany Washington inside the Capitol Dome, the scene is rich with symbols analogous with ancient and modern magic, including the powerful trident—considered of the utmost importance for sorcery and indispensable to the efficacy of infernal rites—and the caduceus, tied to Apollo and Freemasonic Gnosticism in which Jesus was a myth based on Apollo’s son, Asclepius, the god of medicine and healing whose snake-entwined staff remains a symbol of medicine today. Occult numerology associated with the legend of Isis and Osiris is also encoded throughout the painting, such as the thirteen maidens, the six scenes of pagan gods around the perimeter forming a hexagram, and the entire scene bounded by the powerful Pythagorian/Freemasonic “binding” utility—seventy-two five-pointed stars within circles.

Much has been written by historians within and without Masonry as to the relevance of the number seventy-two (72) and the alchemy related to it. In the Kabbalah, Freemasonry, and Jewish apocalyptic writings, the number equals the total of wings Enoch received when transformed into Metatron (3 Enoch 9:2). This plays an important role for the Brotherhood, as Metatron or “the angel in the whirlwind” was enabled as the guiding spirit over America during George W. Bush’s administration for the purpose of directing the future and fate of the United States (as also prayed by Congressman Major R. Owens of New York before the House of Representatives on Wednesday, February 28, 2001).

But in the context of the Capitol Dome and the seventy-two stars that circle Washington’s apotheosis in the womb of Isis, the significance of this symbolism is far more important. In sacred literature, including the Bible, stars are symbolic of angels, and within Masonic Gnosticism, seventy-two is the number of fallen angels or “kosmokrators” (reflected in the seventy-two conspirators that controlled Osiris’ life in Egyptian myth) that currently administer the affairs of earth. Experts in the study of the Divine Council believe that, beginning at the Tower of Babel, the world and its inhabitants were disinherited by the sovereign God of Israel and placed under the authority of seventy-two angels (the earliest records had the number of angels at seventy, but this was later changed to seventy-two) which became corrupt and disloyal to God in their administration of those nations (Psalm 82). These beings quickly became worshipped on earth as gods following Babel, led by Osiris/Apollo. Consistent with this tradition, the designers of the Capitol Dome, the Great Seal of the United States, and the Obelisk Washington Monument circled the Apotheosis of Washington with seventy-two pentagram stars, dedicated the Obelisk seventy-two years after the signing of the Declaration of Independence, and placed seventy-two stones on the Great Seal’s uncapped pyramid, above which the eye of Horus/Osiris/Apollo stares. These three sets of seventy-two (72), combined with the imagery and occult numerology of the Osiris/Obelisk, the Isis/Dome, and the oracular Great Seal, are richly symbolic of the influence of Satan and his angels over the world (see Luke 4:5–6, 2 Corinthians 4:4, and Ephesians 6:12) with a prophecy toward Satan’s final earthly empire—the coming novus ordo seclorum, or new golden pagan age.

In order for the “inevitable” worship of Osiris to be “reestablished” on earth, the seventy-two demons that govern the nations must be controlled, thus they are set in magical constraints on the Great Seal, the Washington Obelisk, and the pentagram circles around the Apotheosis of Washington to bind and force the desired effect.
In The Secret Destiny of America, Hall noted as well that the seventy-two stones of the pyramid on the Great Seal correspond to the seventy-two arrangements of the Tetragrammaton, or the four-lettered name of God in Hebrew. “These four letters can be combined in seventy-two combinations, resulting in what is called the Shemhamforesh, which represents, in turn, the laws, powers, and energies of Nature.”[v] The idea that the mystical name of God could be invoked to bind or loose those supernatural agents (powers and energies of nature, as Hall called them) is meaningful creed within many occult tenets, including Kabbalah and Freemasonry. This is why the seventy-two stars are pentagram-shaped around the deified Freemason, George Washington. Medieval books of magic, or grimoires such as the Key of Solomon and the Lesser Key of Solomon not only identify the star systems Orion (Osiris) and Pleiades (Apollo) as the “home” of these powers, but applies great importance to the pentagram shape of the stars for binding and loosing their influence. Adept Rosicrucians and Freemasons have long used these magical texts—the Key of Solomon and the Lesser Key of Solomon—to do just that. Peter Goodgame makes an important observation about this in “The Giza Discovery”:

One of the co-founders of the occult society known as the Golden Dawn[vi] was a Rosicrucian Freemason named S. L. MacGregor Mathers, who was the first to print and publish the Key of Solomon (in 1889) making it readily available to the public. Mathers describes it as a primary occult text: “The fountainhead and storehouse of Qabalistic Magic, and the origin of much of the Ceremonial Magic of mediaeval times, the ‘Key’ has been ever valued by occult writers as a work of the highest authority.” Of the 519 esoteric titles included in the catalogue of the Golden Dawn library, the Key was listed as number one. As far as contents are concerned, the Key included instructions on how to prepare for the summoning of spirits including…demons.…
One of the most well-known members of the Golden Dawn was the magician [and 33rd-degree freemason] Aleister Crowley. In 1904 Crowley published the first part of the five-part Lesser Key of Solomon known as the Ars Goetia,[vii] which is Latin for “art of sorcery.” The Goetia is a grimoire for summoning seventy-two different demons that were allegedly summoned, restrained, and put to work by King Solomon [according to Masonic mysticism] during the construction of the Temple of YHWH.[viii]

Unlike other grimoires including the sixteenth-century Pseudomonarchia Daemonum and the seventeenth-century Lemegeton, the Key of Solomon does not contain the “Diabolical Signature” of the devil or demons, which the Ars Goetia describes as numbering seventy-two and who were, according to legend, constrained to assist King Solomon after he bound them in a bronze vessel sealed by magic symbols. Such books routinely contain invocations and curses for summoning, binding, and loosing these demons in order to force them to do the conjurers will. Even members of the Church of Satan sign letters using the Shemhamforash, from the Hebrew name of God or Tetragrammaton, producing a blasphemous reinterpretation of the seventy-two entities. And then there is Michelangelo, who painted what we have called the “Sign of the Sixth Knuckle” inside the Sistine Chapel (diagramed in our upcoming book Petrus Romanus: The Final Pope Is Here) that tied the prophecy on the Great Seal of the United States from the Cumaean Sibyl to the return of the Nephilim Apollo. But incredibly, Michelangelo also produced the Shemhamforash on the Vatican’s famous ceiling, as his fresco has “an architectural design of 24 columns. On each of these columns are two cherubs, which are mirror imaged on the adjoining column totaling 48 cherubs figures. Then on the 12 triangular spandrels flanking the ceiling borders are an additional 24 nude figures (two bronze nude figures per triangular spandrel) also mirror imaging each other. This totals to 72 cherub figures or the 72 angels of God or names of God [or conversely, the 72 angels that fell and are now the demons or kosmokrators over the nations of the earth].”[ix]
Once one understands the importance that these mystical keys hold in Kabbalah, Rosicrucianism, Freemasonic mysticism, and other mystery traditions, there can be (and is) but one reasonable interpretation for the connection in the Vatican and the seventy-two pentagrams at the base of the Apotheosis of Washington. These are there to bind and control the demons over the nations to honor the dedication made by early American Freemasons and certain Roman devotees for a New Atlantis and New World Order under the reign of the False Prophet (Petrus Romanus) and his antichrist master, Osiris/Apollo.

In the next entry we go from Seventy-Two Demons to Feathered Serpents: What You Do—and Do Not—Learn in School about American History

[i] Hope, Murry, Practical Egyptian Magic (New York: St. Martin's Press), 1984 p. 107. Quoted by Fritz Springmeier, The Watchtower & the Masons, 1990, 1992 pp. 113, 114.

[ii] Thomas Horn, Apollyon Rising 2012,, 7-10.

[iii] Martin Short, Inside the Brotherhood: Explosive Secrets of the Freemasons (UK: HarperCollins, 1995), 122.

[iv] Manly P. Hall, The Lost Keys of Freemasonry, 48.

[v] Manly P. Hall, Secret Destiny of America (Penguin Group, 2008), chapter 18.

[ix] “Shemhamphorasch,” Wikipedia, last modified December 6, 2011,

Sunday, March 18, 2012

PETRUS ROMANUS: The False Prophet And The Antichrist Are Here (Blog Post 7)

Where the Vitality of the Beast that Was, and Is Not, and Yet Is Pulsates in Anticipation of His Final “Raising”

We ended Part 13 of this series stating that, in order for the agents of the prophetic dates 2012-2016 to materialize on time, certain wizardry and alchemical machines were required to invoke the coming of the destroyers.

The three-hundred-thirty ton Obelisk in St. Peter’s Square in the Vatican City is not just any Obelisk. It was cut from a single block of red granite during the Fifth dynasty of Egypt to stand as Osiris’ erect phallus at the Temple of the Sun in ancient Heliopolis (Ἡλιούπολις, meaning city of the sun or principal seat of Atum-Ra sun-worship), the city of “On” in the Bible, dedicated to Ra, Osiris, and Isis. The Obelisk was moved from Heliopolis to the Julian Forum of Alexandria by Emperor Augustus and later from thence (approximately 37 AD) by Caligula to Rome to stand at the spine of the Circus. There, under Nero, its excited presence maintained a counter-vigil over countless brutal Christian executions, including the martyrdom of the apostle Peter (according to some historians). Over fifteen hundred years following that, Pope Sixtus V ordered hundreds of workmen under celebrated engineer-architects Giovanni and Domenico Fontana (who also erected three other ancient obelisks in the old Roman city including one dedicated to Osiris by Rameses III—at the Piazza del Popolo, Piazza di S. Maria Maggiore, and Piazza di S. Giovanni in Laterano) to move the phallic pillar to the center of St. Peter’s Square in Rome. This proved a daunting task, which took over four months, nine hundred laborers, one hundred forty horses, and seventy winches. Though worshipped at its present location ever since by countless admirers, the proximity of the Obelisk to the old Basilica was formerly “resented as something of a provocation, almost as a slight to the Christian religion. It had stood there like a false idol, as it were vaingloriously, on what was believed to be the center of the accursed circus where the early Christians and St. Peter had been put to death. Its sides, then as now, were graven with dedications to [the worst of ruthless pagans] Augustus and Tiberius.”[i]

The fact that many traditional Catholics as well as Protestants perceived such idols of stone to be not only objects of heathen adoration but the worship of demons (see Acts 7:41–42; Psalms 96:5; and 1 Corinthians 10:20) makes what motivated Pope Sixtus to erect the phallus of Osiris in the heart of St. Peter’s Square, located in Vatican City and bordering St. Peter’s Basilica, very curious. To ancient Christians, the image of a cross and symbol of Jesus sitting atop (or emitting from) the head of a demonic god’s erect manhood would have been at a minimum a very serious blasphemy. Yet Sixtus was not content with simply restoring and using such ancient pagan relics (which were believed in those days to actually house the pagan spirit they represented) but even destroyed Christian artifacts in the process. Michael W. Cole, Associate Professor in the Department of the History of Art at the University of Pennsylvania, and Professor Rebecca E. Zorach, Associate Professor of Art History at the University of Chicago, raise critical questions about this in their scholarly book The Idol in the Age of Art when they state:

Whereas Gregory, to follow the chroniclers, had ritually dismembered the city’s imagines daemonem [demonic images], Sixtus fixed what was in disrepair, added missing parts, and made the “idols” into prominent urban features. Two of the four obelisks had to be reconstructed from found or excavated pieces… The pope was even content to destroy Christian antiquities in the process: as Jennifer Montagu has pointed out, the bronze for the statues of Peter and Paul came from the medieval doors of S. Agnese, from the Scala Santa at the Lateran, and from a ciborium at St. Peter’s.

[Sixtus] must have realized that, especially in their work on the two [broken obelisks], they were not merely repairing injured objects, but also restoring a type… In his classic book The Gothic Idol, Michael Camille showed literally dozens of medieval images in which the freestanding figure atop a column betokened the pagan idol. The sheer quantity of Camille’s examples makes it clear that the device, and what it stood for, would have been immediately recognizable to medieval viewers, and there is no reason to assume that, by Sixtus’s time, this had ceased to be true.[ii]
The important point made by Professors Cole and Zorach is that at the time Sixtus was busy reintroducing to the Roman public square restored images and statues on columns, the belief remained strong that these idols housed their patron deity, and further that, if these were not treated properly and even placed into service during proper constellations related to their myth, it could beckon evil omens. Leonardo da Vinci had even written in his Codex Urbinas how those who would adore and pray to the image were likely to believe the god represented by it was alive in the stone and watching their behavior. There is strong indication that Sixtus believed this too, and that he “worried about the powers that might inhabit his new urban markers.”[iii] This was clearly evident when the cross was placed on top of the Obelisk in the midst of St. Peter’s Square and the pope marked the occasion by conducting the ancient rite of exorcism against the phallic symbol. First scheduled to occur on September 14th to coincide with the liturgical Feast of the Exaltation of the Cross and not coincidently under the zodiacal sign of Virgo (Isis), the event was delayed until later in the month and fell under the sign of Libra, representing a zenith event for the year. On that morning, a pontifical High Mass was held just before the cross was raised from a portable altar to the apex of Baal’s Shaft (as such phallic towers were also known). While clergy prayed and a choir sang Psalms, Pope Sixtus stood facing the Obelisk and, extending his hand toward it, announced: “Exorcizote, creatura lapidis, in nomine Dei” (“I exorcize you, creature of stone, in the name of God”). Sixtus then cast sanctified water upon the pillar’s middle, then its right side, then left, then above, and finally below to form a cross, followed by, “In nomine Patris, et Filij, et Spiritus sancti. Amen” (“In the Name of the Father and of the Son and of the Holy Ghost. Amen”). He then crossed himself three times and watched as the symbol of Christ was placed atop Osiris’ erect phallus.

Vatican Dome Facing Obelisk

Washington Dome Facing Obelisk

Yet if what Sixtus established in the heart of Vatican City gives some readers pause (numerous other signature events by Sixtus aligned the Sistine city with constellations sacred to Osiris and Isis, which we are not taking time to discuss here but that caused Profs. Zorach and Cole to conclude that, in the end, Sixtus wanted to remain in the good graces of the pagan gods), in Washington, DC near the west end of the National Mall, the Obelisk built by Freemasons and dedicated to America’s first president brings the fullest meaning to the nephilim-originated and modern porn-industry impression that “size matters.” This is no crude declaration, as adepts of ritual sex-magic know, and dates back to ancient women who wanted to give birth to the offspring of the gods and who judged the size of the male generative organ as indicative of the “giant” genetics or divine seed needed for such offspring. While such phallic symbols have been and still are found in cultures around the world, in ancient Egypt, devotion to this type “obscene divinity” began with Amun-Min and reached its crescendo in the Obelisks of Osiris.

Throughout Greece and Rome the god Priapus (son of Aphrodite) was invoked as a symbol of such divine fertility and later became directly linked to the cult of pornography reflected in the more modern sentiments about “size.” This is important because, in addition to the Washington Monument being intentionally constructed to be the tallest Obelisk of its kind in the world at 6,666 (some say 6,660) inches high and 666 inches wide along each side at the base, one of the original concepts for the Washington Monument included Apollo (the Greek version of Osiris) triumphantly returning in his heavenly chariot, and another illustrating a tower “like that of Babel” for its head. Any of these designs would have been equally appropriate to the thirty-three-hundred-pound pyramidal capstone it now displays, as all three concepts carried the meaning necessary to accomplish what late researcher David Flynn described as “the same secret knowledge preserved by the mystery schools since the time of the Pelasgians [that] display modern Isis Osiris worship.”[iv] This is to say, the “seed” discharged from a Tower-of-Babel-shaped head would magically issue forth the same as would proceed from the existing Egyptian capstone—the offspring of Apollo/Osiris/Nimrod.

The greatest minds in Freemasonry, whose beliefs set the tone for the design of the capital city, its Great Seal, its Dome, and its Obelisk, understood and wrote about this intent. Albert Pike described it as Isis and Osiris’ “Active and Passive Principles of the Universe…commonly symbolized by the generative parts of man and woman,”[v] and Freemason writer Albert Mackey described not only the Obelisk, but added the importance of the circle around its base, saying, “The Phallus was an imitation of the male generative organ. It was represented…by a column [Obelisk] that was surrounded by a circle at the base.”[vi]

In Egypt, where the parodies and rituals for raising Osiris to life through these magical constructs was perfected, Pharaoh served as the “fit extension” for the reborn god to take residence in as the “sex act” was ritualized at the temple of Amun-Ra. The all-seeing eye of Horus/Osiris/Apollo above the unfinished pyramid on the Great Seal forecasts the culmination of this event—that is, the actual return of Osiris—for the United States during or closely following the year 2012, and the Dome and Obelisk stand ready for the metaphysical ritual to be performed in secret by the elite. We use the phrase “performed in secret” because what the vast majority of people throughout America do not know is that the “raising” ceremony is still conducted inside the headquarters of the Scottish Rite Freemasonry in the House of the Temple by the Supreme Council 33rd Degree over Washington, DC for at least two reasons. First, whenever a Mason reaches the Master level, the ritual includes a parody representing the death, burial, and future resurrection of Hiram Abiff (Osiris). The world at large finally caught a glimpse of this custom when Dan Brown, in his book The Lost Symbol, opened with a scene depicting the start of the tradition:

The secret is how to die.

Since the beginning of time, the secret had always been how to die.

The thirty-four-year-old initiate gazed down at the human skull cradled in his palms. The skull was hollow, like a bowl, filled with bloodred wine.

Drink it, he told himself. You have nothing to fear.

As was tradition, he had begun his journey adorned in the ritualistic garb of a medieval heretic being led to the gallows, his loose-fitting shirt gaping open to reveal his pale chest, his left pant leg rolled up to the knee, and his right sleeve rolled up to the elbow. Around his neck hung a heavy rope noose—a “cable-tow” as the brethren called it. Tonight, however, like the brethren bearing witness, he was dressed as a master.

The assembly of brothers encircling him all were adorned in their full regalia of lambskin aprons, sashes, and white gloves. Around their necks hung ceremonial jewels that glistened like ghostly eyes in the muted light. Many of these men held powerful stations in life, and yet the initiate knew their worldly ranks meant nothing within these walls. Here all men were equals, sworn brothers sharing a mystical bond.

As he surveyed the daunting assembly, the initiate wondered who on the outside would ever believe that this collection of men would assemble in one place…much less this place. The room looked like a holy sanctuary from the ancient world.

The truth, however, was stranger still.

I am just blocks away from the White House.

This colossal edifice, located at 1733 Sixteenth Street NW in Washington, D.C., was a replica of a pre-Christian temple—the temple of King Mausolus, the original mausoleum…a place to be taken after death. Outside the main entrance, two seventeen-ton sphinxes guarded the bronze doors. The interior was an ornate labyrinth of ritualistic chambers, halls, sealed vaults, libraries, and even a hallow wall that held the remains of two human bodies. The initiate had been told every room in the building held a secret, and yet he knew no room held deeper secrets than the gigantic chamber in which he was currently kneeling with a skull cradled in his palms.

The Temple Room[vii].

While such drama makes for excellent fiction, The Lost Symbol turns out to be at best a love fest and at worst a cover up between Dan Brown and the Freemasons. However, one thing Brown said is true—the Temple Room in the Heredom does hold an important secret. We’ve been there, stood inside and prayed for protection under our breath, because according to our sources (who provided facts that have not been denied when we were interviewed by a U.S. Congressman, U.S. Senator, and even a 33rd-Degree Freemason on his radio show), in addition to when a Mason reaches the Master level, the ancient raising ceremony is conducted following the election of an American President—just as their Egyptian forefathers did at the temple of Amun-Ra in Karnak—in keeping with the tradition of installing within him the representative spirit of Osiris until such time as the god himself shall fulfill the Great Seal prophecy and return in flesh.

In the prologue of 33rd-Degree Freemason Manly P. Hall’s book, The Lost Keys of Freemasonry, detailed recounting of the underlying and familiar story of Hiram Abiff (Osiris) is told, who sets out to construct the temple of the Great Architect of the Universe, but is killed by three spectres. This story, impersonated every time an initiate reaches the level of Master Mason, is by admission of Freemasons a retelling of the death-epic of the god Osiris. In Lost Keys, Hall narrates how the Great Architect gives Hiram (Osiris) the trestleboard for the construction of the great temple, and when he is killed by three ruffians, the Great Architect bathes him in “a glory celestial,” as in the glory surrounding the all-seeing eye of Osiris above the pyramid on the Great Seal. The Great Architect follows this by charging those who would finish the building with the task of finding the body of Hiram (Osiris) and raising him from the dead. When this has been accomplished, the great work will conclude and the god will inhabit the (third) temple:

Seek ye where the broken twig lies and the dead stick molds away, where the clouds float together and the stones rest by the hillside, for all these mark the grave of Hiram [Osiris] who has carried my Will with him to the tomb. This eternal quest is yours until ye have found your Builder, until the cup giveth up its secret, until the grave giveth up its ghosts. No more shall I speak until ye have found and raised my beloved Son [Osiris], and have listened to the words of my Messenger and with Him as your guide have finished the temple which I shall then inhabit. Amen.[viii]

Thus the appearance of the uncapped pyramid of Giza on the Great Seal of the United States echoes the ancient pagan as well as Masonic beliefs concerning the old mysteries and the prophecy of the return of Osiris/Apollo/Nimrod. In Rosicrucian and Masonic Origins, Hall, who had said in The Secret Teachings of All Ages that the Great Pyramid was “the tomb of Osiris,”[ix] explains that Preston, Gould, Mackey, Oliver, Pike, and nearly every other great historian of Freemasonry were aware of this connection between Freemasonry and the ancient mysteries and primitive ceremonials based on Osiris. “These eminent Masonic scholars have all recognized in the legend of Hiram Abiff an adaptation of the Osiris myth; nor do they deny that the major part of the symbolism of the craft is derived from the pagan institutions of antiquity when the gods were venerated in secret places with strange figures and appropriate rituals.”[x] In Morals and Dogma, Albert Pike even enumerated the esoteric significance of the Osiris epic at length, adding that lower-level Masons (Blue Masonry) are ignorant of its true meaning, which is only known to those who are “initiated into the Mysteries.”[xi] Pike also spoke of the star Sirius—connected to Isis and at length to Lucifer/Satan—as “still glittering” in the Masonic lodges as “the Blazing Star.” Elsewhere in Morals and Dogma, Pike reiterated that the “All-Seeing Eye…was the emblem of Osiris”[xii] and that the “Sun was termed by the Greeks the Eye of Jupiter, and the Eye of the World; and his is the All-Seeing Eye in our Lodges.”[xiii]

We continue our investigation in the next entry, titled: Magic Squares, Human Sacrifice, and the Mystery of the Number 666

[i] James Lees-Milne, Saint Peter’s: The Story of Saint Peter’s Basilica in Rome (Little, Brown, 1967), 221.

[ii] Rebecca Zorach and Michael W. Cole, The Idol in the Age of Art (Ashgate, 2009), 61.

[iii] Rebecca Zorach and Michael W. Cole, The Idol in the Age of Art, 63.

[iv] David Flynn, Cydonia: The Secret Chronicles of Mars (Bozwman, MT: End Time Thunder, 2002),156.

[v] Albert Pike, Morals and Dogma: Of the Ancient and Accepted Scottish Rite of Freemasonry, (Forgotten Books), 401.

[vi] Albert Mackey, A Manual of the Lodge (1870), 56.

[vii] Dan Brown, The Lost Symbol (Anchor; Reprint edition, 2010), 3–4.

[viii] Manly P. Hall, Lost Keys, Prologue.

[ix] Manly P. Hall, Secret Teachings, 116–120.

[x] Manly P. Hall, “Rosicrucianism and Masonic Origins,” from Lectures on Ancient Philosophy—An Introduction to the Study and Application of Rational Procedure (Los Angeles: Hall, 1929), 397–417.

[xi] Albert Pike, Morals and Dogma, 335.

[xii] Ibid., 16.

[xiii] Ibid., 472.